Wednesday, 3 June 2009

 “Dead Man's Chest”
Plot

    The East India Trading Company arrives in Port Royal, Jamaica, to extend its monopoly in the Caribbean and purge piracy from its waters. Leading the expansion is Lord Cutler Beckett, a powerful and ruthless EITC agent who arrests Elizabeth Swann and Will Turner as they are about to be married. Beckett threatens to execute them and the absent ex-Commodore James Norrington for aiding Captain Jack Sparrow's escape, but he offers clemency if Will agrees to hunt for Sparrow and his magical compass which points to what its possessor wants most. An informant in Tortuga leads Will to the Black Pearl run aground on Pelegosto, a cannibal-inhabited island where Jack and his crew are captive. Jack hid there after "Bootstrap Bill" Turner, Jack's former crewmate and now an indentured sailor aboard Captain Davy Jones' ghost ship, the Flying Dutchman, delivered Jack the Black Spot, a mark signifying his debt to Jones is due. Thirteen years before, Jones raised the Pearl from the ocean depths and made Jack its captain. In exchange, Jack must now serve aboard the Dutchman for 100 years, or be hunted by Jones' beasts, the Kraken.
    Will, Jack, and a few crew members escape their captors, unexpectedly recruiting Pintel and Ragetti along the way, and head for sea. Will learns that Jack has been searching for a particular key. He agrees to give Will the compass if he helps him find the key and the object it unlocks. Seeking assistance from Tia Dalma, an obeah priestess, Jack learns the compass fails to work because he does not know what he truly wants. The key, Tia tells him, unlocks the Dead Man's Chest containing Davy Jones' still-beating heart—to avoid lost love's pain, Jones carved the heart from his chest and buried it. Whoever possesses the heart controls Davy Jones, thereby controlling the world's oceans. Back at sea, the Dutchman encounters Sparrow, who deviously attempts to barter Will in exchange for himself. Jones demands 100 souls within three days in exchange for Jack's freedom and keeps Will as a "good faith payment," leaving Jack only 99 more souls to harvest.
    In Port Royal, Governor Weatherby Swann frees Elizabeth. Confronting Beckett at gunpoint, she forces him to validate a Letter of Marque—a royal document with which Beckett intends to recruit Sparrow as a privateer, and which Elizabeth wants for Will. Posing as a cabin boy on a merchant vessel, Elizabeth lands in Tortuga where she finds Jack and Gibbs desperately recruiting unsuspecting sailors in a pub to pay off his blood debt. A disheveled Norrington also applies. Blaming Sparrow for his ruin, he tries to shoot him and ignites an angry brawl, but Elizabeth knocks Norrington out and saves Sparrow. At the pier, Jack reveals the compass' secret to Elizabeth; it points to what the holder wants most in the world. When he convinces her that she can save Will by finding the chest, she gets a bearing. Once the ship is underway, however, an attraction arises between Jack and Elizabeth.
    On Isla Cruces, Jack, Norrington, and Elizabeth find the Dead Man's Chest. Will, who has escaped the Dutchman with help from his father, Bootstrap Bill, arrives with the key he stole from Davy Jones. Will wants to stab the heart to free his father, but Jack fears that with Jones dead, the Kraken will continue hunting him as there will be no one to call it off, while Norrington desires the heart to bargain back his naval career. As a three-way swordfight erupts, the arrival of Jones' crew and Pintel and Ragetti's attempt to make off with the chest complicate matters even more. Norrington ultimately escapes with the heart and the Letters of Marque while Jones' crewmembers retrieve the now-empty Dead Man's Chest.
     The Dutchman pursues the Pearl but, with the wind behind them, the Pearl outruns her. Jones summons the Kraken. Jack escapes the Pearl in the last longboat; but unable to desert his crew, he returns in time to save them. After a fierce battle that kills every crew member except for Will, Jack, Gibbs, Pintel and Ragetti, Marty, Cotton, and Elizabeth, he gives the order to abandon ship before the Kraken makes its final assault. ‎Realizing the Kraken is only hunting Jack, a deceptive Elizabeth kisses him while handcuffing him to the mast as bait. Wracked with guilt over her betrayal, Elizabeth tells the others Jack chose to remain behind, unaware that Will now believes she loves Sparrow. Jack escapes the shackles just as the Kraken resurfaces: Jack draws his cutlass and goes down fighting as the Kraken lunges for him; the colossal beast drags him and the Pearl to a watery grave.
    Davy Jones declares Jack's debt settled, although he becomes enraged when he discovers an empty Dead Man's Chest. Meanwhile, Norrington makes his way to Port Royal and delivers the heart and the Letters of Marque to Cutler Beckett. Elizabeth, Will, and the surviving Pearl crew seek refuge with Tia Dalma, who asks if they would be willing to save Jack from Davy Jones' Locker. When all agree, Tia Dalma sends them on a journey to World's End to rescue Jack, saying they will need a captain who knows those waters—the resurrected Captain Barbossa.


Production

    Following the success of Pirates of the Caribbean: The Curse of the Black Pearl (2003), the cast and crew signed on for two more sequels to be shot back-to-back, a practical decision on Disney's part to allow more time with the same cast and crew. Writer Ted Elliott and Terry Rossio decided not to make the sequels new adventures featuring the same characters, as with the Indiana Jones and James Bond series, but to retroactively turn The Curse of the Black Pearl into the first of a trilogy. They wanted to explore the reality of what would happen after Will Turner and Elizabeth Swann's embrace at the end of the first film, and initially considered the Fountain of Youth as the plot device. They settled on introducing Davy Jones, the Flying Dutchman and the Kraken, a mythology only mentioned once in the first film. They also introduced the historical East India Trading Company, who for them represented a counterpoint to the themes of personal freedom represented by pirates.
    Planning on the film began in June 2004, and production was much larger than The Curse of the Black Pearl, which was only shot on location in St. Vincent. This time, the sequels would require fully working ships, with a working Black Pearl built over the body of an oil tanker in Bayou La Batre, Alabama. By November, the script was still unfinished as the writers did not want director Gore Verbinski and producer Jerry Bruckheimer to compromise what they had written, so Verbinski worked with James Byrkit to storyboard major sequences without need of a script, while Elliott and Rossio wrote a "preparatory" script for the crew to use before they finished the script they were happy with. By January 2005, with rising costs and no script, Disney threatened to cancel the film, but changed their minds. The writers would accompany the crew on location, feeling that the lateness of their rewrites would improve the spontaneity of the cast's performances.

Filming

    The two bone cages used in one of the opening scenes of the film. The cages are now located on an attraction at Disney's Hollywood Studios.
     Dead Man's Chest began on February 28, 2005, in Palos Verdes, beginning with Elizabeth's ruined wedding day. The crew spent the first shooting days at Walt Disney Studios in Los Angeles, including the interiors of the Black Pearl and the Edinburgh Trader which Elizabeth stows away on, before moving to St. Vincent to shoot the scenes in Port Royal and Tortuga. Sets from the previous film were reused, having survived three hurricanes, although the main pier had to be rebuilt as it had collapsed in November. The crew had four tall ships at their disposal to populate the backgrounds, which were painted differently on each side for economy. One of the ships used was the replica of the HMS Bounty used in the 1962 film adaptation of Mutiny on the Bounty.
    On April 18, 2005, the crew began shooting at Dominica, a location Verbinski had selected as he felt it fitted the sense of remoteness he was looking for. That was exactly the problem during production: the Dominican government were completely unprepared for the scale of a Hollywood production, with the 500-strong crew occupying around 90% of the roads on the island and having trouble moving around on the underdeveloped roads. The weather also alternated between torrential rainstorms and hot temperatures, the latter of which was made worse for the cast who had to wear period clothing. At Dominica, the sequences involving the Pelegosto and the forest segment of the battle on Isla Cruces were shot. Verbinski preferred to use practical props for the giant wheel and bone cage sequences, feeling long close-up shots would help further suspend the audience's disbelief. Dominica was also used for Tia Dalma's shack. Filming on the island concluded on May 26, 2005.
    The crew moved to a small island called White Cay in the Bahamas for the beginning and end of the Isla Cruces battle, before production took a break until August, where in Los Angeles the interiors of the Flying Dutchman were shot. On September 18, 2005, the crew moved to Grand Bahama Island to shoot ship exteriors, including the working Black Pearl and Flying Dutchman. Filming there was a tumultuous period, starting with the fact that the tank had not actually been finished. The hurricane season caused many pauses in shooting, and Hurricane Wilma damaged many of the accessways and pumps, though no one was hurt nor were any of the ships destroyed. Filming of the second film was completed on February 7, 2006.

Special effects
 
    The Flying Dutchman's crew members were originally conceived by writers Ted Elliott and Terry Rossio as ghosts, but Gore Verbinski disliked this and designed them as physical creatures. Their hierarchy is reflected by how mutated they were: newcomers had low level infections which resemble rosacea, while the most mutated had full-blown undersea creature attributes. Verbinski wanted to keep them realistic, rejecting a character with a turtle shell, and the animators watched various David Attenborough documentaries to study the movement of sea anemones and mussels. All of the crew are computer-generated, with the exception of Stellan Skarsgård, who played "Bootstrap" Bill Turner. Initially his prosthetics would be augmented with CGI but that was abandoned. Skarsgård spent four hours in the make-up chair and was dubbed "Bouillabaisse" on set.
    Captain Davy Jones himself had originally been designed with chin growths, before the designers made the move to full-blown tentacles; the skin of the character is based on a blurred version of the texture of a coffee-stained Styrofoam cup. To portray Jones on set, Bill Nighy wore a motion capture tracksuit that meant the animators at Industrial Light & Magic did not have to reshoot the scene in the studio without him or on the motion capture stage. Nighy wore make-up around his eyes and mouth to splice into the computer-generated shots, but the images of his eyes and mouth were not used. Nighy only wore a prosthetic once, with blue-colored tentacles for when Will Turner (Orlando Bloom) steals the key to the Dead Man's Chest from under his "beard" as he sleeps. To create the CG version of the character, the model was closely based on a full-body scan of Nighy, with Jones reflecting his high cheekbones. Animators studied every frame of Nighy's performance: the actor himself had blessed them by making his performance more quirky than expected, providing endless fun for them. His performance also meant new controls had to be stored. Finally, Jones' tentacles are mostly a simulation, though at times they were hand-animated when they act as limbs for the character.
    The Kraken was difficult to animate as it had no real-life reference, until animation director Hal Hickel instructed the crew to watch King Kong vs. Godzilla which had a real octopus crawling over miniatures. On the set, two pipes filled with 30,000 pounds of cement were used to crash and split the Edinburgh Trader: Completing the illusion are miniature masts and falling stuntmen shot on a bluescreen stage. The scene where the Kraken spits at Jack Sparrow does not use computer-generated spit: it was real gunge thrown at Johnny Depp.

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